One of my favorite bands, The Hold Steady, played at Pontiac’s Crofoot Ballroom Wednesday night. I discovered “the best bar band in America” by a total fluke a couple of years ago: I saw a few of their CDs in the library stacks, remembered I’d read something positive about them in Rolling Stone, and decided to give them a try, then fell hard for their storytelling and muscular musicianship. They have a new album – Teeth Dreams – hence the tour.
The band playing in this area for the first time in five years was a cause for great celebration, but more than a little sadness. Seeing this band in concert has been a cultural Great White Whale for my older daughter and me: long pursued but always just out of reach. Now they were here and she was not, since she is in college in New York (only a subway ride away from Brooklyn, the band’s home base, I might add).
Other than my daughters, I can’t convince anyone else I know to go to concerts with me on a regular basis. (A recent exception: my friend Lois went with me to the Majestic to see Sharon Jones and the Dap-Kings – great company for thunderously amazing show.) Granted, the outfits I want to see aren’t usually chart-toppers, so the overlap between my social circle and fans in metro Detroit is a sliver. This time out, I didn’t help matters when I described The Hold Steady to friends as “a lot like Bruce Springsteen and the E Street Band without half the instruments – if Bruce and the boys only sang about stoned, drunken, remorseful Catholics in Minneapolis.”
(At least they have a band name I can say without having to brace myself for bemused expressions from those who don’t follow alternative music: I can’t talk about the Airborne Toxic Event or Band of Skulls without a lot of eye-rolling.)
But you know what the real problem here is? I’m an adult. So are my friends. We have to plan ahead. We have to commute and work a full schedule and see to the kids and get up early the next morning. After running around all day, the prospect of standing for four hours in a half-inch of beer to be crushed by knuckleheads pushing toward the stage isn’t a really a draw, even if you are a stone-cold fan.
So I went by myself to see The Hold Steady. It was just me and 500 fellow tribesmen.
Tribesmen is an accurate term. The typical Hold Steady fan seems to be between 28-45, male, Caucasian, dark-haired and wearing button-up granddad shirts: the exact description of Craig Finn, the lead singer. Finn looks like your sophomore English teacher, lurches across the stage with an endearing lack of coordination, and speak/sings these weirdly literate stories about burned-out losers searching for love and hope.
Here’s a sample lyric from “You Can Make Him Like You”:
You don’t have to deal with the dealers
let your boyfriend deal with the dealers
it only gets inconvenient
when you wanna get high alone
Before they started their set, Finn explained why they were down to four pieces: their newly hired guitarist Steve Selvidge had to leave the tour to be with his wife and new baby, who came a few weeks early (musicians are adults with adult issues, too). Then they launched into a two-hour, gloriously rich performance.
As the evening wound down after midnight, Finn thanked the audience. “You had a million other things you could do tonight but you chose to come to a rock-and-roll show,” he said. “You came here to be with people who all like the same thing. These days, that’s really important.” Then as the final song wrapped, he introduced the members of the band then pointed out to the audience, “And you, you, you, YOU – we are ALL The Hold Steady!” We all cheered in tribal solidarity and the show was over.
It was freakin’ amazing! You have to take my word for it … since you weren’t there.
So next time, who’s with me?
Enjoy a song by the band from its early days when they were officially a four-piece band:
See you on the flip side …
Before you go, another shout-out to those who have bought my first novel, Love and Other B-Sides! If you haven’t yet, it’s not too late to be cool like they are – download it today!