Tag Archives: Louis Jordan

Heartbroken: Tom Petty, RIP

4 Oct

Tom Petty in a vanWith all the literal disasters that have happened in the last month – three hurricanes, an earthquake, the horrific mass shooting in Las Vegas – it seems almost silly to be bereft over the loss of a rock musician.

And yet … Tom Petty seeped into all corners of my life. Sure, everyone has to go sometime, but his death came so abruptly without warning, it’s like the air has been sucked out of me. Jeez, I just saw his 40th anniversary concert in July. Even as he’d intimated this could be his and the Heartbreakers’ last large-scale tour, he also admitted he didn’t like to stay still and probably would renege on that vow. He had promised to release another album of songs from Wildflowers – his best era, in my opinion – and maybe do concerts in which he’d play the entire thing. He had so much more ahead of him. He was having such a good time.

TPATH photo - 1979

Petty became my reference point for all other music: you can connect him to practically any other major act in two steps. He recorded with two Beatles; he backed Bob Dylan and Johnny Cash; he shared the stage with everyone from Bo Diddley to Eric Clapton to Prince. His SiriusXM Buried Treasure show championed artists I now love: Lucinda Williams, Big Joe Turner, Ann Peebles, Louis Jordan, the Shangri-Las. He had incredible taste, which was a remarkable contrast to the bloated acts that clogged the 1970s when he came up in the business. And he kept up his songwriting chops throughout his career. Someone I read years ago pointed out that every one of his albums rated at least 7 out of 10; that was as true of Hypnotic Eye as his eponymous debut.

He also had a sense of humor. Witness his appearance on The Larry Sanders Show trying to clock Greg Kinnear and Clint Black:

 

And a flair for animation V/O:

 

There are any number of respectful obituaries that list Petty’s hits and talk about his talent for championing the underdog in his songs and his fights with his labels. Thing is, he was rarely included in critics’ lists of the “best” American rock musicians: that is an honor bestowed on Elvis, Dylan, Springsteen, and possibly Buddy Holly, Chuck Berry or other pioneers. That is probably because he was less an innovator than a craftsman. He and that insanely talented band of his, the Heartbreakers, could play just about anything, original songs or covers, from muscular chord-based rock to devastating ballads:

After that night in Vegas/ And the hell that we went through
We went down swingin’

Throughout the last 24 hours, I’ve received a lot of genuine condolences from friends and coworkers. My daughters have been checking on me often, offering support and shoulders to sigh on. My elder daughter pointed out what a privilege it is to connect deeply to an artist’s work during his lifetime, especially since he inspired me to create my own. (This blog and Love and Other B-Sides would not be here without me falling head first into his catalog.) I’ve also gotten some solace from listening to SiriusXM’s “wake” on his channel, with famous fans (Cameron Crowe, John Fogerty) and regular folks calling in to share what Tom Petty meant to them.

Means to them.

Means to us.

Means to me.

This is going to take a long time to get over, folks. Thank God we have each other.

See you on the flip side …

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Day tripping at the Rock & Roll Hall of Fame

8 Jan

Propeller Head Jesus

Propeller Head Jesus

I am a museum geek. Give me admission, and I’ll tool around the galleries until the lights dim. This is enormous fun for me but not so much for my companions. Years ago when my partner and I went to Florence – a city with 72 museums – she humored this behavior for about three days, at which point she put her foot down. “If I have to go to one more museum and see one more painting of Jesus with a propeller on his head, you’re walking back by yourself. To San Francisco.”

It’s a lot like me and rock music. Just mentioning a musician turns on a spigot of trivia, unbidden and unstoppable: “Oh, you like the Black Keys? They’re from Akron, Ohio, you know, the birthplace of Chrissie Hynde, the Waitresses and Devo. You know, Devo was actually a seriously subversive band. The name is short for “de-evolution” reflecting their disillusion with the direction of society. Mark Mothersbaugh, you know, has scored a bunch of Wes Anderson films, and just did The Lego Movie, and … wait, why are you leaving?”

Put rock and roll together with a museum, and it’s my idea of heaven on earth. However, asking others to come with me would usher them into a bowge of hell. So, on the second day of 2015, I drove myself from Detroit to Cleveland to revisit the Rock & Roll Hall of Fame on my own.

R&R Hall of Fame

Cue the angels singing and the doves flying: at the front door of the Temple of Rock & Roll

The last time I went there was 2011, with my son and younger daughter (then nine years old) in tow. They were great sports, but ultimately they got their fill just as I was getting started. This time, I wanted to be there from open to close, giving myself permission to wallow in whatever I fancied.

As much as I carp about their induction choices, the Rock & Roll Hall of Fame is well curated, beautifully laid out and engagingly interactive. They make the most of video and audio to augment the collection of instruments, costumes, posters and paraphernalia on display. For instance, the Early Influences listening station near the front of the main gallery features the forefathers and foremothers of the genre, coming from blues, gospel, country and jazz, providing brief biographies, photos and choice examples of their songs.

I got to know a few of these folks better during my visit, including Louis Jordan, who certainly gave Little Richard some ideas …

… and Bob Wills and His Texas Playboys, whose Texas swing inspired Chuck Berry’s “Maybelline” with this song:

After a couple of hours tooling around the exhibition hall in the lower level, I grabbed a sandwich then got comfortable in the Hall of Fame theater showing the video highlighting each year’s inductees through 2013. Given there are more than 304 inductees in the past 29 years, this takes a while, even as they gloss over some of the greats to keep things moving. In my opinion, 2011 was their best year for showcasing artists who run the gamut of what rock music can be. My particular favorites from that year:

Dr. John, who you can see here doing “Iko Iko” in concert with Ringo Starr and some of the best side men of the 1970s: Clarence Clemons, Nils Lofgren, Joe Walsh, 2/5 of The Band, Billy Preston … boo howdy!

Tom Waits, who knew he was an acquired taste from early on, as spoofed in his appearance in 1977 on Fernwood 2 Night:

Leon Russell, who played elegantly powerful piano for everyone from Frank Sinatra to George Harrison without losing his Okie weirdness, which is on full display in his Homewood Sessions:

Sorry … the trivia spigot just went full blast again.

More than six hours after I arrived, I was back on the road home, sated after gorging on music all day. And the thing is, if someone would offer to go with me, I’d be back on 75 South to 80 East in a second, to see what more I could explore.

Let me know when you’re up for a road trip. I’ll pay the tolls on the turnpike … although I’ll control the stereo.

See you on the flip side …

P.S. Need even more evidence of how great the Class of 2011 was? Tune in at 12:47 in this clip from the 2011 induction broadcast to see Alice Cooper – bloody tux and all – trade verses with Darlene Love on “Da Doo Ron Ron.” How I adore rock and roll!

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