Tag Archives: Rolling Stones

A change has gotta come

4 Jul

It’s been hard to post lately. My get up and go … got up and went.

I kind of ran out of gas when confronted by mounting evidence that rock and roll is becoming a dead language. Sure, I can listen to Greta Van Fleet and marvel at how much those kids from Frankenmuth, Michigan sound just like Led Zeppelin, but that isn’t moving the genre forward. My idols were back in the news for the wrong reasons. Prince and Tom Petty had more in common than that glorious version of “While My Guitar Gently Weeps” at the Rock & Roll Hall of Fame induction ceremony: both were felled by fentanyl taken to ease the pain of their screwed-up hips after decades on the road. Plus, my iPod – the power source for my astoundingly superior musical taste – is spinning its last. Its obsolescence is a gloomy metaphor for the state of the art form.

Jonathan Van Ness kitty pic

The real Kleenex moment this episode: Jonathan petting baby kitties! SQUEE!

I’ve tried to assuage my ennui by binge-watching Queer Eye and slowly paging through The Sun and the Moon and the Rolling Stones, by Rich Cohen … both well worth the time, both modern takes on nostalgic favorites.

Fact is, I’ve had to turn my attentions elsewhere. In case you haven’t noticed, America’s public institutions are being threatened, vandalized and outright incinerated right now. It’s so dire, I have been driven to do something I never thought I’d do: become politically active.

While I have long had a strong interest in current events, and I turn out to vote in every election (you’re welcome), I have never put my money where my mouth is until this year. It’s not simply that I am a Democrat in a Republican era. This administration’s brute ignorance, blithe corruption and sinister disregard for the humanity of others leaves me no choice but call, and write, and argue, and donate and march, chanting, “This is what democracy looks like!”

My first political rally was the Women’s March in Lansing last January. Clever, biting protest signs are the price of admission to these events, and I didn’tWomen's March 2018 want to disappoint. I wanted it to convey who I am and what I stand for. I wanted to promote positivity rather than spew insults. I wanted it to be so awesome that perfect strangers would take photos of my sign to share with their broad-based social media platforms.

As you can see from the far more awesome signs created by my daughters, for any of that to happen, my pop culture references need to crawl into the 21st century. (There was a moment when I got a tap on the shoulder from a gal with her phone ready to take a photo. As I was prepping for my closeup, she said tersely, “Could you move your sign out of the way? I want to take a picture of the Beyoncé poster.”)

Concerned Citizen 3

I. Mean. Business.

Since then, I’ve attended candidate forums and signed petitions. I’ve written postcards encouraging people to register and vote in the primaries. I was even featured asking a question at a televised town hall focused on reducing gun violence in schools. I’ve coached my younger daughter as she led the walkout at her school after Parkland, and I’ve ensured my older one registered in her new Brooklyn precinct.

Families Belong Together MarchAnd yet, it often feels like it doesn’t add up to much. Each day brings more to be angry about; each news item piles on disgust and despair. I never had to worry about the safety of my nearly 30-year relationship with my female partner before now. I never imagined tearing children away from their asylum-seeking families and incarcerating them would be considered okay by anyone, much less Americans. I am astonished by how fear and greed have overwhelmed common sense and compassion. And I feel helpless.

I hate feeling helpless.

So I continue to call, and write, and argue, and donate and march, believing that by showing up again and again, I and millions of others will break through the bullshit and make the world a better place – for I do not intend to let democracy die on my watch.

See you on the flip side … and at the polls!

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Joe Cocker and the Rock and Roll Hall of Fame

22 Dec

Rock and Roll Hall of Fame logo

The Rock and Roll Hall of Fame class of 2015 was announced recently, and the carping began immediately thereafter.

Here are the inductees, according to category:

  • “Former Upstarts Who Became Mainstream Stars”: Green Day
  • “We’re Embarrassed that Brian Epstein was Inducted Before Him”: Ringo Starr
  • “It’s About Damn Time”: Lou Reed
  • “Wait, He’s Not Already In?”: Stevie Ray Vaughan
  • “Any Other White Blues Guys We Missed?”: Paul Butterfield
  • “Great Voice, but, uh, Why?”: Bill Withers
  • “We Have to Induct a Girl with a Guitar – Who’s Left?”: Joan Jett
  • “Uh, Who?”: The “5” Royales
Kiss Action Figures

Perhaps you’re more likely to get into the Hall of Fame if you have your own action figures

As usual, there were seminal acts on the ballot much worthier than the winners, and even more weren’t even considered who should have been ensconced in Cleveland years ago. You gotta wonder how the induction committee determines who gets in and who doesn’t. Beyond having recording at least 25 years prior to consideration, the criteria is purposely vague:

We shall consider factors such as an artist’s musical influence on other artists, length and depth of career and the body of work, innovation and superiority in style and technique, but musical excellence shall be the essential qualification of induction.

For my money, the key phrases here are,”musical influence” and “musical excellence.” Anyone who gets in should have moved the medium forward … which ought to excuse Ms. Jett from consideration in the first place. This would also justify 2014 inductee Kiss, which – despite critics’ deep distaste – inspired numerous (male) musicians at a formative age, ranging from ?uestlove to Rivers Cuomo (as a snippet of tape from his middle school days attests).

Joe CockerWhich brings me to Joe Cocker, who died Dec. 22.

Cocker is not in the Rock & Roll Hall of Fame. Perhaps he isn’t because he was influenced more than he influences. By his own admission in a documentary I saw a few years ago (was it Across From Midnight?), he idolized Ray Charles so much, he imitated him down to rocking back and forth as if he was playing Ray’s piano. He was also a singer who didn’t play an instrument and rarely sang his own compositions.

But man oh man, how he sang: that’s the definition of “musical excellence” right there.

As much as his appearance at Woodstock cemented his place in rock history, the magnificent Mad Dogs & Englishmen exemplifies his power as a vocalist and musician. Backed by a phenomenal band led by Leon Russell (featuring 20 Feet from Stardom star Claudia Lennear, and saxophonist Bobby Keys, who also died recently), Cocker rolled through tunes by the Beatles, the Stones, Bob Dylan and a crushing “Blue Medley,” with the fervor of a revival preacher. Here’s a sample from the documentary of the tour:

 

Cocker had scattered hits later in his career, including the Oscar-winning “Up Where We Belong,” but it’s that sweaty, scorching, full-body singing in the late 1960s/early 1970s that was his gift to rock and roll, and to us.

Rest in peace, Joe, and may you be the first name on the 2016 Rock & Roll Hall of Fame ballot.

See you on the flip side … and Happy Holidays!

New to the Rock and Roll Bookshelf: Memoirs by Graham Nash and Lisa Robinson

29 Sep

For someone who purports to being a novelist, I read very little fiction. I should probably do something about that.

Instead, I read biographies, autobiographies and memoirs about people in show business, many of whom are in the music industry (natch). For instance:

Lisa Robinson's backstage passes, or, another reason to wish you were her/ VanityFair.com

Lisa Robinson’s collection of all-access backstage passes, or, another reason I wish I was her/ VanityFair.com

There Goes Gravity: a life in Rock and Roll by Lisa Robinson 

Let’s get one thing straight: Lisa Robinson knows more rock stars than you ever will in your entire life. It’s up to you to get over your seething jealousy and enjoy the fruit of her labors as a journalist by reading this entertaining, intimate memoir about making a living by writing about the biggest names in rock and roll history.

Robinson is still one of the few women in her line of work. She got her start as the editor of several rock magazines then became a columnist for the New York Post and now is a contributing editor at Vanity Fair. She was also on the nominating committee for the Rock & Roll Hall of Fame for 18 years.

Robinson championed Led Zeppelin at a time when they were being savaged by Rolling Stone and others, and that – and her deep knowledge of jazz and blues – earned her a seat on their private jet the Starship during their tours in the mid-1970s. Holding her own with those “lads” led to her covering the 1975 Rolling Stones tour along with Annie Leibovitz (riding the Starship again, as it turned out). Since then she’s covered everyone from John Lennon and Bono to Eminem and Lady Gaga.

She credits her knack for gaining her subjects’ trust to being a journalist rather than a critic, and she was able to offer a uniquely up-close perspective on the artists and their lifestyle by not getting swept up in the debauchery:

Often, I was the only woman in the room and certainly the only one who wasn’t sleeping with any of [the musicians]. I wanted to keep everything professional, to get the stories. For me, the lure was always the music. But if you’re not having sex with someone on a tour, or participating in the drugs, you really are on a different tour than everyone else.

Yes, she drops a lot of names but she’s earned that right. The photos from throughout her career – pointing a cassette recorder at an 11-year old Michael Jackson; sitting on David Johansen’s lap to chat to Freddie Mercury; reading a newspaper with Joe Strummer – are proof.

I liked this book so much I bought it after I returned it to the library. Check it out yourselves!

Graham Nash's Wild TalesWild Tales by Graham Nash

Graham Nash rightfully earned his place in rock history as a founder of  2 1/2 seminal bands: The Hollies and Crosby, Stills & Nash (and occasionally & Young). He was one of the organizers of the No Nukes concerts in 1979 that brought rock music together with environmental  fundraising. He has also enjoyed success as a solo musician, a photographer, book publisher and visual artist. Despite the hundreds of thousands of dollars he blew on cocaine, he has survived and saved enough to enter his 70s living in Hawaii … with the time and means to fly into New York to participate in Occupy Wall Street.

Wild Tales chronicles Nash’s rise from the council projects of Salford to becoming a British Invasion sensation with the Hollies. Then the action moves over to nearly five decades of his ins and outs with various combinations of Stephen Stills (whom Nash depicts as a relentless egotist), David Crosby (best friend and cringe-inducing drug addict) and Neil Young (infuriating musical genius). Along the way, many women were loved (including Joni Mitchell and Rita Coolidge) and many drugs were done and, as Nash tells it, he was usually the one  stuck waiting for his friends to show up or sober up to perform. When contemplating reuniting with the Hollies in the early 1980s, he took the gig because

God almighty, was it easier to sing with the Hollies than with CSN! It was certainly more fun, less plagued with personal bullshit. No freebase, no egos, no Neil Young.

Humility is not his strong suit. Neither is literary finesse. That’s what makes this a rather tiring read.  At best Nash’s book, like his lyrics, demonstrate his straightforward charm, but often he gets preachy and pedestrian. Also, his overuse of nicknames (“Clarkie,” “Croz”) and his hippie grandpa phraseology – for instance, he refers to “smokin’ it” (it being marijuana) constantly – does him no favors. Still, he does have an insider’s view of the California music scene and all its unwashed glory, and his celestial harmonies should be celebrated and enjoyed two generations later. Rather than read about why he thinks they’re great, put your copy of Crosby, Stills & Nash on the turntable instead and experience Graham Nash’s best talents for yourself.

What’s on your nightstand these days? Let me know … even if it’s fiction.

See you on the flip side …

P.S. Do you use the Facebook? Stay up to date on the doings associated with my novel by liking the Love and Other B-Sides page there – and I hope to see you at my first author event on October 26 at Leon and Lulu in Clawson!

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